Crew matching

Give us the day. See the hands.

Write the brief as you would send it to a producer. Mair reads it against the specialists already cleared for brand work and puts names to the positions. The named shortlist, with portfolios and rates, still follows the brief.

The brief.

Nothing you write here is a booking. It is read once to suggest a crew, and the day is only held once you send the brief.

Cast size, the look, the schedule, anything the crew needs to know.

Suggestions only. Nothing here books anyone. A named shortlist with rates follows the brief.